The Conformist – I Racconti http://i-racconti.com/ Wed, 22 Sep 2021 02:32:58 +0000 en-US hourly 1 https://wordpress.org/?v=5.8 https://i-racconti.com/wp-content/uploads/2021/06/favicon-150x150.png The Conformist – I Racconti http://i-racconti.com/ 32 32 New book reveals history of old Brighton church https://i-racconti.com/new-book-reveals-history-of-old-brighton-church/ https://i-racconti.com/new-book-reveals-history-of-old-brighton-church/#respond Tue, 21 Sep 2021 16:00:00 +0000 https://i-racconti.com/new-book-reveals-history-of-old-brighton-church/ New light has been shed on the story of building an art gallery in a new book. The former Holy Trinity Church in Ship Street, Brighton, which now houses Fabrica, dates back to 1817 and has attracted a range of personalities including Charles Dickens. The book, If These Walls Could Talk, coincides with Fabrica’s 25th […]]]>

New light has been shed on the story of building an art gallery in a new book.

The former Holy Trinity Church in Ship Street, Brighton, which now houses Fabrica, dates back to 1817 and has attracted a range of personalities including Charles Dickens.

The book, If These Walls Could Talk, coincides with Fabrica’s 25th anniversary and is part of a three-year research project led by a small team of volunteers, funded by the National Lottery Heritage Fund.

The group explored every element of the old church, including how individuals bonded with the building, the artisans and businesses who shaped the building’s notable elements – such as its stained glass windows, and the people who had a impact on the history of the building and the community at large.

The building began life as a maverick chapel for an independent Christian sect by English property developer and politician Thomas Read Kemp until 1826 when it was consecrated and became a private Anglican chapel.

The declining congregations saw the church close in 1984 and it was rented out as a museum before Fabrica moved there in 1996.

Sally Connellan, gallery director and research team coordinator, said they found the ‘sons of Fabrica’ and her values ​​dotted throughout the building’s history, making it the perfect home for the gallery. .

She said: “Fabrica serves the community and is a place of creativity and inspiration for people. There is also nonconformity and education, so there is certainly a common thread between the church and its life as an art gallery.

Among the notable names to have walked through the doors of the church include Reginald John Campbell, a suffragist supporter who served as a priest, preacher Frederick Robertson, Lady Byron and Charles Dickens.

Sally said the project has helped volunteers get through the difficult period of foreclosure over the past 18 months.

She said: “It was a very nice social project for me and the other volunteers to come together.

“We met on Zoom and did more internet-based research and our meetings grew because we liked to catch up and have something to say, it wasn’t the pandemic.”

The new book is just one of the ways Fabrica celebrated her 25th birthday. The gallery has held special exhibitions for each season, while collecting keepsakes and celebrating its volunteers over the years.

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Mondraker inaugurates its new headquarters in Spain – business https://i-racconti.com/mondraker-inaugurates-its-new-headquarters-in-spain-business/ https://i-racconti.com/mondraker-inaugurates-its-new-headquarters-in-spain-business/#respond Tue, 21 Sep 2021 14:28:56 +0000 https://i-racconti.com/mondraker-inaugurates-its-new-headquarters-in-spain-business/ Mondraker inaugurated its new headquarters in Elche, Spain. “A non-conformist, out of the ordinary and specially designed installation that aligns perfectly with the brand image, uniting functionality and design seamlessly,” said a statement. “Our new facility allows us to house all departments, offices and production in one space and under one roof for better synergy […]]]>

Mondraker inaugurated its new headquarters in Elche, Spain.

“A non-conformist, out of the ordinary and specially designed installation that aligns perfectly with the brand image, uniting functionality and design seamlessly,” said a statement.

“Our new facility allows us to house all departments, offices and production in one space and under one roof for better synergy and increased performance. “

The strong growth of Mondraker resulted in new needs which were met with the new head office and new building, the brand said. A united workspace bringing together all teams and departments was the priority and creating a unified environment for product and brand development at all levels.

The development of the new building allows the technical department of R&D, engineering and design to expand, work more closely and integrate the latest technologies into all processes. It is also home to Mondraker’s full production plant, where almost all models and bikes are assembled in one space.

The new production area also gave the brand the opportunity to more than double current bicycle production figures, he said, a “strong commitment” to the continued evolution and growth of Mondraker.

In addition to design and production, the new facility has put Mondraker in a stronger position to work with its global network of sales services around the world. “To do this, we are not only in a better position to communicate with these departments, but the building offers large indoor and outdoor workspaces where we can display the various collections of Mondraker products, organize sales events and test our latest models. “Said the brand.

“The new building reinforces our brand image by displaying a minimalist and avant-garde design that evokes the technology present in Mondraker bikes. Facilities where the comfort and performance of all employees prevail, creating a work environment where teamwork and the flow of information between departments are encouraged.

“The building’s unconventional architecture is distinguished by its shape inspired by the structure of a wheel. A glass and steel cylinder that stands out in its environment by its uniqueness. The latest technologies have made it possible to combine the transparent facade with an outer steel mesh that provides solar control to minimize energy consumption.

“Natural light was a priority from the start and large glass surfaces allow you to enjoy the Mediterranean sun all year round, creating a warm and welcoming working environment. Its circular design invites you to freely explore the seat in all directions. 12,000 square meters, where 99% of our bikes are conceptualized, developed and assembled.

“As always, quality, innovation and performance are an integral part of our DNA and our new headquarters reflect this. We are convinced that from here we will shape our future and develop everything that is to come more effectively.


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This compilation highlights the underground music of East Africa https://i-racconti.com/this-compilation-highlights-the-underground-music-of-east-africa/ https://i-racconti.com/this-compilation-highlights-the-underground-music-of-east-africa/#respond Mon, 20 Sep 2021 17:50:00 +0000 https://i-racconti.com/this-compilation-highlights-the-underground-music-of-east-africa/ Nyege Nyege, a label from Kampala, Uganda, channels overwhelming confidence across an entire continent. Africa is no longer the future. For dance music, its time is now. Music for eagles is a compilation released in conjunction with Soundcloud to showcase the best new acts East Africa has to offer outside the general public. A new […]]]>

Nyege Nyege, a label from Kampala, Uganda, channels overwhelming confidence across an entire continent. Africa is no longer the future. For dance music, its time is now.

Music for eagles is a compilation released in conjunction with Soundcloud to showcase the best new acts East Africa has to offer outside the general public. A new wave of artists firmly releasing a non-conformist energy to make you spasm. Music that takes you on a journey. Otim alphaThe high BPM wedding frenzy of incessant hoarse vocals accompanied by a feverish violin will have you scratching the walls until you forget. Anti Vairas‘The dancehall of a battleship with super galactic intentions doesn’t even sweat because it ruins you. FLOThe Magnificent Call of the Sirens, is a capricious and out of tune rhyme that alludes to a desire for love but reveals something far more disturbing. Ecko BazzThe hard spiraling voice of over the sub-basses and the energy of the Devil’s Trap is an anthem that can only be lamented. And Kidane fighter‘s tune is more of a trance prayer. These are just a few of the highlights you can get away with.

We were able to chat with some of the artists featured on the Music for eagles compilation as they took a break in the studio below.


Ratigan era

Photo provided by Nyege Nyege / Soundcloud.

A rising star of the African Dancehall scene, Ratigan era‘S futuristic acidic dancehall threatens the walls of Babylon itself. “Gan Dem” underlines his enormous presence as a singer burning with the hand of Lithiumproduction violently sustained.

Your connection to Jamaica through your music is intense.

Since I was young, dancehall has been an inspiration. I have a very, very deep spiritual connection with Jamaica. I see everything that is happening in my life and in the lives of those in Jamaica in the same way. They are my brothers and sisters, my lineage, they are Africans. There are a lot of talented dancehall artists in Uganda, I work so hard to help me reach the world like them through all the hardships.

What do you think of the compilation?

I love it. It’s heavy water – it’s a black wave and I love the way people react to it. It is a matter of time for East Africa, time is moving and we must accept the future like everyone else. It is time to embrace it because changes will be happening across Africa.

When you were a child, what did you listen to with your family?

Dancehall, hip-hop, Enya

Enya? It’s crazy, was she fat?

(Laughs) Yes my boy. I would have to sleep, meditate, rest

Aunt Rayzor


Photo provided by Nyege Nyege / Soundcloud.

from Nigeria Bisola Olugbenga a.k.a aunt razor has been making music for years; known at home for its underground hits. “Tornado” grabs you by the neck. A fascinating and confident flex through the dynamic future of Afrobeat. Whether singing or rapping, Rayzor displays a devastating combination of sex and magic.

How did you come to make music on the other side of Africa?

People know me in Nigeria but I’m not the most famous celebrity. Working in Kampala was an opportunity to see things differently. I discovered new things about me through electronic music; I have to experiment. But it was more than music. I am a city girl and the nature there has inspired me.

How do you represent yourself on the track and what did people think of you?

Well rappers love to brag, I’m no different. I said a lot of nasty things too. I can’t translate this for you now (Laughs) I was really, really mean in the song but yeah, I experiment more with the beat than in real life … maybe. East Africans are very polite to Nigerians, that’s for sure. I was told that Nigerians do not have filters. It’s true, we are really straight. My attitude surprises people.

MC Yallah


Photo provided by Nyege Nyege / Soundcloud.

Yallah has been on the hip-hop scene for almost 20 years. Her lyrics forcefully address the issues of women across Africa. “No one seems to bother” with Lord Spikeheart Kenya’s bastard noise merchants Duma is by far the most disturbing of the whole compilation. Where the blood of black metal and hip-hop mix in a Juju ceremony.

How did you get to Uganda?

I was born in Kampala. My grandmother left Kenya with my mother in the 1970s to look for work. My mother was also fleeing domestic violence. I am one of the first female rappers but I was not recognized until now because I am not a commercial. I used to rap on old school American beats but with the guys from Nyege Nyege I’m challenged.

Your trail seems demonic. It is clear that the Duma has left its mark.

Most of my music is conscious and gospel. It sounds demonic because this is the system that doesn’t take care of those in it. We empower politicians, but they don’t keep the promises they made. Getting away from the system causes us to kill each other. Lord Spikeheart captures this. And me, my flow is crazy. I’m dope.

Afrorack


Photo provided by Nyege Nyege / Soundcloud.

Brian Bamanya a.k.a Afrorack builds DIY modular synths in Kampala, creating their own unique instruments. His track “Trance” has the slow, curving sine wave patterns and oscillating frequencies that reflect the heady warmth of an artist safe in his own world.

When did your love for analog synths begin?

I was a kid who loved to fix things. I was opening things up just to figure out how it worked. This fascination with electronics led me to read books on transistors and resistors so that I could basically understand how they all work together. It existed alongside my love for music, so I combined the two, naturally orienting myself towards synthesizers.

Why is the East African music scene exploding right now?

Experimentation makes young people more confident than ever. Punk and electronic music had their scenes here, but now there is enough platform to support them boldly. We didn’t have the pioneers, like the West Africans in the 1970s and 1980s, until now. What prompted me to really do my thing was that there weren’t a lot of people doing electronic circuit sounds – everyone around me was using Ableton and Fruity Loops.

You live in a time when serious foundations are being built for the future, right?

The compilation gives a picture of what is going on here. We deserve attention and it gives a perspective on our future. Young East Africans are playing for the first time around the world. As for the DIY modular bedroom scene, you can get a working model setup that doesn’t cost thousands and can be built inexpensively from scratch. This is what makes it punk and so much more interesting than buying an expensive old synth. The unknown and the new are here. Africa is so diverse. If you factor in the number of tribes and clans with their own musical history and combine it with electronic experimentation, well … that’s exciting isn’t it?


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European Film Festival 2021: it’s virtual and free https://i-racconti.com/european-film-festival-2021-its-virtual-and-free/ https://i-racconti.com/european-film-festival-2021-its-virtual-and-free/#respond Mon, 20 Sep 2021 08:34:43 +0000 https://i-racconti.com/european-film-festival-2021-its-virtual-and-free/ Following the success of last year’s Virtual European Film Festival, the 2021 edition will take place primarily online from October 14-24. A selection of 18 European films, including 13 directed by women, will be screened for free, providing a window into what is fresh and new in the film industries of the respective countries. Four […]]]>

Following the success of last year’s Virtual European Film Festival, the 2021 edition will take place primarily online from October 14-24.

A selection of 18 European films, including 13 directed by women, will be screened for free, providing a window into what is fresh and new in the film industries of the respective countries.

Four new participants – the Czech Republic, Denmark, Switzerland and Ukraine – will complement those from last year: Austria, Belgium, France, Germany, Ireland, Italy, Lithuania, the Netherlands, Poland, Spain, Sweden and the United Kingdom, as well as with the return of Portugal.

This is reflected in the theme of this year’s festival, Healing Journeys.

The films presented will present, through the prism of European filmmakers, a snapshot of resettlement experiences after sometimes traumatic and perhaps cathartic experiences.

They deal with journeys that include organic growth, transition, and self-discovery processes. Many include a good dose of humor, bringing some much-needed laughter into our lives. Much of the humor is more cerebral in nature… movies that make you smile and think at the same time.

Essentially, these films present stories of hope, humanity and stimulating intrigue, featuring new work from some of Europe’s most accomplished filmmakers alongside exciting new talent.

Movies:

Here’s a quick look at the 2021 film lineup, almost all of which have won awards, with more recent films sure to do so as well.

Austria

A woman needs a new kidney, but is her husband ready to donate? Risks and Side Events by Michael Kreihsl is an animated comedy about marriage, hypochondria, friends, architects, secrets and risk taking.

Belgium

Jan Verheyen and Lien Willaert’s film Save Sandra is based on the true and very current story of a girl diagnosed with a rare muscle disease, and her father’s fierce battle with the pharmaceutical industry for access to treatment. medical, raising ethical and societal issues in dealing with it.

Czech Republic

Charlatan, politically charged drama by Agnieszka Holland, immerses us in the conflicted life of a nonconformist herbalist, exploring his unwavering commitment to his vocation, the illicit relationship with his assistant, as he initially perseveres under the regimes. Nazi then Communist in Czechoslovakia.

Denmark

The 2021 Oscar for Best International Feature went to Thomas Vinterberg’s Another Round, in which four jaded high school teachers embark on a risky experiment to maintain a constant level of intoxication throughout the workday. Mads Mikkelsen is at her best in this mature mix of comedy, tragedy, and human behavior.

France

With Gérard Depardieu and Déborah Lukumuena, Robust is an exceptional first feature film by Constance Meyer about an aging movie star and a young security guard in charge of watching over him. Despite their differences, life has shaped them in a more similar way than they thought, and their unlikely friendship becomes a quest for authenticity, loaded with intrigue and humor.

Germany

In Bachmann and His Class, the ever-patient teacher uses unconventional methods to inspire his emerging young citizens with a sense of curiosity and appreciation for the complex social and cultural realities of their world. Maria Speth’s Life-Affirming Documentary beautifully highlights what discreetly spectacular process education can be.

READ ALSO : ‘I Am Here’ wins SA Best Documentary Award at Durban International Film Festival

Ireland

The Bright Side by Ruth Meehan is a touching and uplifting story about a comedian who has been diagnosed with breast cancer. Armed with cynicism and comedic jokes, her exit strategies are turned upside down when she meets four powerful women whose unsolicited friendships challenge her, soften her, and end up blowing her closed heart.

Italy

At first glance, the fast-paced comedy Parents vs Influencers, directed by Michela Andreozzi, seems to focus on the world of social media and influencers, but the heart of it is about change and resistance to change. And father-daughter relationships! And the family!

Lithuania

A jump on the high seas from a Soviet ship to an American ship in an attempt at political asylum goes horribly wrong. About an ordinary man who has become a symbol for refugees seeking freedom all over the world, The Jump by director Giedrė Žickytė takes us on a journey stranger than fiction that stretches to the White House.

The Netherlands

My Father is a Plane by Antoinette Beumer tells the story of a woman’s poignant search to find the pieces of the puzzle of her past, a journey that raises questions about parental limits, the risks and dangers of childhood as well as its joys, and what it means to be loved and heard.

Poland

Never Gonna Snow Again is the delightfully quirky story from writer / director Malgorzata Szumowska of how a masseur and hypnotist gain acceptance and stature in a wealthy gated community, addressing class, immigration, and global warming.

Portugal

With a magnificent black and white cinematography, The Year of the Death of Ricardo Reis by João Botelho puts on screen José Saramago’s novel about the return to the sources of a fictional author, his love affairs and his mysterious encounters with the ghost of Fernando Pessoa.

Spain

The Gem of a Romantic Comedy by Icíar Bollaín Rosa’s wedding is about a woman who drastically changes her life, and that includes a surprise wedding, much to her family’s dismay. A film about autonomy and independence.

Sweden

Run Uje Run is a biographical musical drama about how life takes turns you never could have imagined. Henrik Schyffert’s directorial debut stars musician and actor Uje Brandelius in this unusual, dark-witted indie drama about Appreciating What You Have.

Switzerland

Writer-director duo of Stéphanie Chuat and Véronique Reymond, Ma petite soeur is an intimate and personal tale of brotherly love in which a sister gives her all to support her sick twin brother, and is inspired at the same time. A powerful look at the bonds that are both fragile and unbreakable in the family.

Ukraine

Kateryna Gornostai’s Stop-Zemlia anchors her open-ended tale around an introverted schoolgirl and her classmates in this sympathetic portrayal of the tidal forces of adolescence. A deeply personal story about self-discovery and the patience it requires.

UK

In Aleem Khan’s groundbreaking first feature film After Love, Joanna Scanlan delivers a phenomenal performance as a white English Muslim convert uncovering secrets after her husband’s death, while exploring complex themes of loss, cultural identity and of reconciliation.

Special co-production presentation

Oscar nominee Jasmila Žbanić’s Quo Vadis Aida? is an extraordinary co-production between nine European countries, in which a UN translator is caught between doing her job and trying to help the locals and her own family when the Serbian army takes control of the small town of Srebrenica.


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Meet the Cambridge University scholar at the forefront of Extinction Rebellion activism https://i-racconti.com/meet-the-cambridge-university-scholar-at-the-forefront-of-extinction-rebellion-activism/ https://i-racconti.com/meet-the-cambridge-university-scholar-at-the-forefront-of-extinction-rebellion-activism/#respond Sun, 19 Sep 2021 14:04:18 +0000 https://i-racconti.com/meet-the-cambridge-university-scholar-at-the-forefront-of-extinction-rebellion-activism/ When he sat down on a Cambridge road on May 1, Dr Jason-Scott Warren wasn’t expecting company. But the Cambridge University scholar’s ‘rebellion of one’ inspired a passing woman with no campaigning experience to sit down and face angry traffic on Lensfield Road by her side. As an explanation, he carried a sandwich panel that […]]]>

When he sat down on a Cambridge road on May 1, Dr Jason-Scott Warren wasn’t expecting company.

But the Cambridge University scholar’s ‘rebellion of one’ inspired a passing woman with no campaigning experience to sit down and face angry traffic on Lensfield Road by her side.

As an explanation, he carried a sandwich panel that read: “I’m afraid for my children and my students because of the climate crisis.

Read more: news about the environment in Cambridgeshire

While roadblocks are among Extinction Rebellion’s most controversial actions, for Dr Scott-Warren his May 1 demonstration explained why he got involved in the first place.

It was, he said, “this sense of the world’s shutdown that we have to pause, we have to kind of shake up the current system to get people to realize how dire things are.”

Dr Scott-Warren, 51, was not used to thinking outside the box. A graduate of the University of Cambridge in English, he returned to hold a fellowship at Gonville and Caius College in 2004 and became a reader of modern literature and culture at the university.



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He joined XR, like many of its early recruits, after reading the 2018 IPCC Report: A Scary Awakening Showing We Have 12 Years to Halt the Most Catastrophic Consequences of Global Warming.

“What it made me realize is that I’m a very conformist person, and I think college life has probably turned me into that kind of person,” he said, “he m so it’s actually very difficult to break the rules. “

Although, that said, English literature is “quite a rebellious discipline,” fueling its activism. “You spend all your time reading literary texts that are always very politically engaged and which very often deal with the analysis of the position of offenders and outsiders,” he said.

The texts make your imagination work. Teaching Shakespeare’s King Lear, for example, gives “an idea of ​​the potential cataclysms that can open up in human life,” and challenges us to imagine possible futures, good or bad.



Dr Jason Scott-Warren during the XR protests in April 2019
His role in the Extinction Rebellion uprising in April 2019 cost Dr Scott-Warren over £ 1,000

CPS dropped prosecution of Dr Scott-Warren for obstructing a highway, citing insufficient evidence after the June shutdown Ziegler decision, who reaffirmed the right to protest.

However, he does not hesitate to be arrested. In January of last year, the speaker paid a fine of £ 800 (plus £ 300 in court fees) for his role in the ‘April Rebellion’ of 2019. (The UK government declared a climate emergency the following month.)

In the latest London protests, “The Impossible Rebellion”, Dr Scott-Warren was arrested again for obstructing the highway near the Science Museum, which XR targeted for funding by Shell.

“My desire to be stopped in action was an expression of my feelings about the for-profit science distortion,” he said.

Dr Scott-Warren once again familiarized himself with the interior of Charing Cross Police Station and their microwave-safe vegan chili.



Jason Scott-Warren protesting at BP Garage, Elizabeth Way in March 2019
Jason Scott-Warren protesting at BP Garage, Elizabeth Way in March 2019

At Cambridge, he previously held a One man protest against the BP garage in Elizabeth Way, near his home.

Although he did not play a spade leader role in the controversial digging of the lawn at Trinity College in February 2020, Dr Scott-Warren said he supported the action, which sparked fascinating global conversations about how we view the natural world and property.

“There is something about the way lawns define what Cambridge is. So desecrating a lawn is really powerful, ”he said.

A year later, Trinity, Oxbridge’s wealthiest institution, pledged to divest from all fossil fuel investments by the end of 2021.

In October 2020, the university pledged to completely divest from fossil fuels by 2030 and reach net zero by 2038, following a dedicated five-year campaign led by students.

Although Dr Scott-Warren got involved early on, “it was as if the academics were coming to the party quite late.”



Dr Jason Scott-Warren is Senior Lecturer at Cambridge University and Fellow of Gonville and Caius College
Dr Jason Scott-Warren is Senior Lecturer at Cambridge University and Fellow of Gonville and Caius College

Extinction Rebellion now

Extinction Rebellion is a decentralized movement, and its members have performed a variety of actions with varying success.

The protests last month were more focused on their targeting of the city of London and the demand to end investments in new fossil fuel infrastructure. This is not a particularly drastic request, stressed Dr Scott-Warren, given that this is also what the International Energy Agency (IEA) is asking for.

However, “a little bit of me thinks we need to be more disruptive, I think that’s the only way to keep standing out,” he said.

“I think XR exists in part to be irritating. It is designed to try to remind people that there are truly awful possibilities open. “

He added: “There is a little bit of me that is very likeable because I am in a privileged position and the people I disturb are not necessarily in that position.”

A permanent and respected speaker at Cambridge, Dr Scott-Warren received little “backlash” from his employers, who he said saw his activism as undertaken in a private capacity.

“Many of my more conservative colleagues will be horrified, but I also receive a lot of support from other colleagues,” he added.

His wife, Professor Mary Laven, professor of modern history and member of Jesus College, is also very active in Extinction Rebellion, and they carry out many actions together.

Public sentiment with XR can be tumultuous at times. Some people think that after “sounding the alarm” there is no need to continue.

Dr Scott-Warren doesn’t quite agree. “I think there is a strange thing, people say we have the message over there … but in a way you almost feel like ‘no you don’t really have the message you don’t realize what is happening. “

“It would be nice to have sequels to XR, it would be nice to have rivals to XR,” he added.

“I think, in a way, XR challenges people to find another way – because everyone says they agree with the message but not the way to do it – it forces you to people sort of increase their level of play if they don’t approve. “

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The director of Jemima Kirke Angers Viewers https://i-racconti.com/the-director-of-jemima-kirke-angers-viewers/ https://i-racconti.com/the-director-of-jemima-kirke-angers-viewers/#respond Sun, 19 Sep 2021 11:22:12 +0000 https://i-racconti.com/the-director-of-jemima-kirke-angers-viewers/ The third season of Sex education stumbled across Netflix on Friday (Sept. 17) – and new director Hope Haddon is already drawing fan fury. You can watch the trailer for the new season below: Played by Jemima Kirke, Hope is an alumnus of Moordale High School and replaces Mr. Michael Groff of Alistair Petrie, who […]]]>

The third season of Sex education stumbled across Netflix on Friday (Sept. 17) – and new director Hope Haddon is already drawing fan fury. You can watch the trailer for the new season below:

Played by Jemima Kirke, Hope is an alumnus of Moordale High School and replaces Mr. Michael Groff of Alistair Petrie, who was removed from his post at the end of the second season.

In comparison to Groff’s hopelessly disconnected leadership, Hope is younger and initially comes across as the kind of cool teacher you’d think is more of your mate.

However, in this form, Hope is quick to implement a series of measures aimed at stripping the students of their identities.

These new rules include queues in the halls of schools and the introduction of a compulsory school uniform.

Credit: Netflix

Hope has a particular problem with another new character, Cal – played by Dua Saleh.

A non-binary student, Cal’s portrayal of gender fluidity and the openness of human sexuality is at odds with conformist Hope, who spends most of season three trying to cleanse her cohort of their identities.

Unsurprisingly, fans of the show didn’t like the new face, and Twitter exploded as a result.

One user wrote: “I hope the manager gets thrown away some rotten food like in Had [Game of Thrones].

Another added: “This new director can go to HELLLLLLL.”

A third commented: “I just finished Sex education and all I can think of is WHY hasn’t this manager been arrested multiple times this season. “

While one user wrote: “My God … The new manager is the worst. I hate her!”

Credit: Netflix
Credit: Netflix

Kirke is best known for playing Jessa Johansson in the HBO comedy Girls.

After the show ended in 2017, she went on to star in feature films such as black comedy The small hours as well as the supernatural horror comedy Ava’s assets.

She also starred alongside her real sister Lola Kirke, Ben Mendelsohn and Fifty shades of Greyof Jamie Dornan in relationship drama Together.

Despite Hope’s new rules, the third season of Sex education is as sassy as ever, with the opening sequence of the first new episode alone enough to wow viewers.

The chaotic assembly put to the Rubinoos‘I think we’re alone now’ got to know us again with the students, teachers and parents of Moordale High, who are having a blast playing our brains out.

First, we saw Otis enjoying a night out in a car, then Eric and Adam got down to business and Ola and Lily got into some weird alien stuff.

Safe to say the new season started off with a bang.


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Abbey ruins, royal burials and medieval paintings – Heritage Open Days in Peterborough https://i-racconti.com/abbey-ruins-royal-burials-and-medieval-paintings-heritage-open-days-in-peterborough/ https://i-racconti.com/abbey-ruins-royal-burials-and-medieval-paintings-heritage-open-days-in-peterborough/#respond Sat, 18 Sep 2021 21:06:11 +0000 https://i-racconti.com/abbey-ruins-royal-burials-and-medieval-paintings-heritage-open-days-in-peterborough/ Heritage Open Days – Crowland Abbey. St Pegas Church and medieval wall paintings, Peakirk The most striking feature of St Pegas’s Church is its expansive 14th century wall paintings, including a passion sequence and a Saint Christopher, as well as two lively moral paintings. The smaller (and rarer) of them depicts two women chatting, encouraged […]]]>
Heritage Open Days – Crowland Abbey.

St Pegas Church and medieval wall paintings, Peakirk

The most striking feature of St Pegas’s Church is its expansive 14th century wall paintings, including a passion sequence and a Saint Christopher, as well as two lively moral paintings. The smaller (and rarer) of them depicts two women chatting, encouraged by a devil pushing their heads together, while a larger painting depicts the story of the three living and three dead, illustrating the transience of life and the absurdity of material pleasure.

Schedule of the event: Saturday, September 18 from 12:00 p.m. to 4:00 p.m. and Sunday September 19 from 12 p.m. to 4 p.m.

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Heritage Open Days – Fotheringhay Church EMN-140509-101759001

Originally a Benedictine monastery, the current building dates from 1170.

Rich abbey thanks to the income of the pilgrims to the sanctuary of St Guthlac, the building was ceded to the king during the dissolution. Dissolved and partially demolished in 1539.

In 1643 Crowland was a royalist town with Cromwellians in Spalding and Peterborough. The Crowlanders kidnapped Rev Ramm from Spalding, resulting in a siege.

Event hours: Friday, September 17 from 11:00 a.m. to 4:00 p.m. Sunday September 19 from 1:00 p.m. to 4:00 p.m.

Church of St. Mary and All Saints, Fotheringhay

Located along the River Nene, Fotheringhay Church has a stunning octagonal lantern tower. In addition to being an important place of worship, it has numerous and notable links with history. Guides available.

From the time of the Normans to the advent of the Stuarts, he was directly linked to the royal families of Scotland and England. Here a future King of England, Richard III, who would die on Bosworth Field, was born; here a Queen of Scots, Mary, Queen of Scots, accused of murdering her husband and conspiring to destroy Queen Elizabeth, has been publicly executed.

Here a royal duke, killed fighting the French in the Battle of Agincourt in 1415, was buried; here, too, a Duke Royal and his son killed in action closer to their home in Wakefield in Yorkshire have been re-buried. Here, an English king, Edward IV, plotted and failed to replace the King of Scotland with his brother, just as his own brother, the Duke of Clarence, had plotted against him.

Meanwhile, the distorted but provocative Fotheringhay Church bears witness to the destruction caused by the Reformation of Henry VIII.

Event hours: Saturday, September 18 from 9:30 a.m. to 5:00 p.m. Pre-reservation required at [email protected]

St Andrew, Woodwalton

A spectacular church seen by hundreds of people from the east coast train line every day, but a church few saw inside …

In terms of architectural history, much of the tower dates back to the 1860 reconstruction, but significant areas of the shell and much of the interior are medieval. A particularly striking feature of the interior is the disparity between the southern arch which dates from early English and the northern arch which is distinctly perpendicular in its use of shields on the capitals. Content includes a collection of early stone coffin lids and beautiful neoclassical monuments in the chancel.

Event hours: Sunday, September 19 from 2 p.m. to 5 p.m.

Church of St. John the Baptist

St John’s occupies a prime position in the heart of Peterborough Cathedral Square and is an iconic feature of the city center.

It is a living legacy of faith at the service of the inhabitants of the city since 1407.

Schedule of the event: Friday September 17 from 9:00 a.m. to 2:00 p.m. Saturday September 18 from 9 a.m. to 5 p.m. and Sunday September 19 from 12:30 p.m. to 4:00 p.m.

Saint Michael and all the angels, SUTTON

Discover this parish church, also used as a community meeting place, in a beautiful setting near the Nene River in Sutton.

St Michael & All Angels was built in the 12th century as a comfortable chapel in St Kyneburgha, Castor, for the benefit of the villagers of Sutton and to serve the Peterborough Abbey Grange Farm and Manor in the village. The church was enlarged around 1170 when the original south wall was removed, the two Norman arches erected and the south aisle added. The Chantry Chapel (which now contains the sacristy and organ) added around 1225 was originally dedicated to St Giles, the patron saint of lepers and cripples.

Schedule of the event: Sunday, September 19 from 12:00 p.m. to 4:00 p.m.

Saint-Jean-Baptiste, ACHURCH

Explore this beautiful church in Achurch near Oundle, dating back to the 13th century. Take a guided tour or use the self-guided leaflet to explore at your own pace. For children, a free course is available.

The Church of St. John the Baptist stands on the Nene Way, a short distance from the village of Achurch. Traditionally, its foundation is linked to the De Waterville family, lords of the manor, who are said to have built the church in thanksgiving for a safe return from the crusade.

The controversial figure linked to the founding of the anti-conformist movement, the Reverend Robert Browne, served as rector for 40 years.

Later becoming the Church of the Lilford Estate, it houses monuments from Lilford Church which was demolished in the 18th century, including well-preserved 17th century commemorative plaques.

Timetable of the event: September 18/19 from 10:00 am to 4:00 pm for guided tours on request or self-guided tours all day;

See Peterborough Cathedral and the One Small Step artwork.

Event hours: Friday, September 17 – open 9:00 a.m. to 1:00 p.m. closed on Saturdays; Sunday September 19 from 12 p.m. to 3 p.m.


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Former Algerian President Bouteflika, Overthrown Amid Protests, Dies At 84 https://i-racconti.com/former-algerian-president-bouteflika-overthrown-amid-protests-dies-at-84/ https://i-racconti.com/former-algerian-president-bouteflika-overthrown-amid-protests-dies-at-84/#respond Sat, 18 Sep 2021 07:04:00 +0000 https://i-racconti.com/former-algerian-president-bouteflika-overthrown-amid-protests-dies-at-84/ ALGIERS, Algeria – Former Algerian President Abdelaziz Bouteflika, who fought for independence from France, reconciled his conflict-ravaged nation and was later ousted amid pro-democracy protests in 2019 after two decades in power, has died at the age of 84, state television reported on Friday. The ENTV report, citing a statement from the office of current […]]]>

ALGIERS, Algeria – Former Algerian President Abdelaziz Bouteflika, who fought for independence from France, reconciled his conflict-ravaged nation and was later ousted amid pro-democracy protests in 2019 after two decades in power, has died at the age of 84, state television reported on Friday.

The ENTV report, citing a statement from the office of current President Abdelmadjid Tebboune, provided neither the cause of death nor any information on funeral arrangements.

Bouteflika had suffered a stroke in 2013 which severely weakened him. Concerns about his health, kept a secret from the Algerian public, have helped fuel public frustration with his 20-year reign marred by corruption. Mass public protests by the Hirak movement led to his departure.

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A shrewd political chameleon, Bouteflika was known as a cunning survivor since he fought for independence from colonial France in the 1950s and 1960s.

He stood up to Henry Kissinger as Algeria’s longtime foreign minister, successfully negotiated with the terrorist known as Carlos the Jackal to release the oil ministers held hostage in an attack on the OPEC headquarters in 1975, and helped reconcile Algerian citizens with one another after a decade of civil war between radical Muslim militants and Algerian security forces.

“I am a maverick politician. I am a revolutionary, ”Bouteflika told The Associated Press on the eve of his first presidential victory in 1999, after a campaign marred by accusations of fraud that prompted his six rivals to withdraw from the poll.

By taking office, Bouteflika promised “to turn definitively the dark pages of our history to work for a new era”.PASCAL GUYOT / AFP – Getty Images

Born on March 2, 1937 to Algerian parents in the border town of Oujda, Morocco, Bouteflika was one of Algeria’s most enduring politicians.

In 1956, Bouteflika joined the National Liberation Army, formed to fight Algeria’s bloody war of independence. He commands the southern front of Mali and slips clandestinely into France.

After the end of the war, Bouteflika became Minister of Foreign Affairs at just 25 years old, at a time when Algeria was a model of doctrinaire socialism attached to the Soviet Union. Its capital, Algiers, was nicknamed “Moscow on the Mediterranean”.

He held this post for 16 years, helping to increase Algeria’s influence and define the country as a leader of the third world and non-aligned movements. He was active in the United Nations and chaired the United Nations General Assembly in 1974.

In 1978, disappeared from view for nearly two decades, spending more than six years in exile to evade corruption charges which were later dropped.

The Algerian army held the reins of power throughout this period. The National Liberation Army had evolved into a single party which ruled until 1989, when a multi-party system was introduced.

But as the Islamic Salvation Front, or FIS, quickly gained support, the military canceled Algeria’s first multiparty legislative elections in 1992 to thwart a likely victory for Muslim fundamentalists. An insurgency erupted that left around 200,000 people dead in the years that followed.

Bouteflika took office in 1999, Algeria’s first civilian leader for more than three decades. He succeeded in bringing stability to a country almost brought to its knees by violence, unveiling a daring program in 2005 to reconcile the fractured nation by persuading radical Muslims to lay down their arms.

Bouteflika and the armed forces neutralized the Algerian insurgency, but then saw it metastasize into a Saharan-wide movement linked to smuggling and kidnappings – and al-Qaida.

Bouteflika was alongside the United States in the fight against terrorism after the attacks of September 11, 2001, in particular on intelligence sharing and military cooperation. It marked a turning point from the militant anti-America and Soviet army of yesteryear, when figures like Black Panthers leader Eldridge Cleaver took refuge there.

Bouteflika first defended post-colonial states, challenged what he saw as American hegemony, and helped his country embark on the idealism of the 1960s.LUKE FRAZZA / AFP – Getty Images

Bouteflika’s powerful political machine had the constitution amended to overturn the presidency’s two-term limit. He was then re-elected in 2009 and 2013, amid accusations of fraud and a lack of powerful challengers.

Her burning past was dissolved as age and disease took their toll on the once charismatic figure. Corruption scandals over infrastructure and hydrocarbon projects haunted him for years and tarnished many of his closest associates. His brother, two former prime ministers and other senior officials are now in prison for corruption.

Bouteflika balked at the region-wide calls for change embodied in the 2011 Arab Spring revolutions that toppled three dictators in the east. Bouteflika mitigated the unrest through wage increases and subsidies, a vigilant security force and a lack of unity in the country’s opposition. It has also failed to restore civic trust or create an economy that could provide the jobs needed for Algeria’s growing youth population despite the country’s vast oil and gas wealth.

Bouteflika was increasingly out of sight during his third and fourth presidential terms after suffering a stroke. The extent to which Bouteflika was controlled by the military remained uncertain. He once told the PA that he turned down the post of president in 1994 because he was unable to accept conditions imposed by the military.

The Hirak protests in Algeria erupted after he announced his intention to run for a fifth term in 2019, and it was the then army chief who sealed Bouteflika’s fate by siding with him. Some protestors. Bouteflika had no choice but to withdraw.

Despite new elections and some gestures towards the demonstrators, the Algerian leadership remains opaque and has recently cracked down on dissent, especially among the Berber populations.

The secrecy surrounding the Algerian leadership is such that it is not clear whether Bouteflika ever married or had any survivors.


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Former Algerian President Bouteflika dies, overthrown amid protests https://i-racconti.com/former-algerian-president-bouteflika-dies-overthrown-amid-protests/ https://i-racconti.com/former-algerian-president-bouteflika-dies-overthrown-amid-protests/#respond Sat, 18 Sep 2021 00:41:00 +0000 https://i-racconti.com/former-algerian-president-bouteflika-dies-overthrown-amid-protests/ Posted on Friday, September 17, 2021 | 5:41 p.m. Updated 5 minutes ago ALGIERS, Algeria (AP) – Former Algerian President Abdelaziz Bouteflika, who fought for independence from France, reconciled his conflict-ravaged nation and was later ousted amid pro-democracy protests in 2019 after two decades in power, has died at the age of 84, according to […]]]>

Updated 5 minutes ago

ALGIERS, Algeria (AP) – Former Algerian President Abdelaziz Bouteflika, who fought for independence from France, reconciled his conflict-ravaged nation and was later ousted amid pro-democracy protests in 2019 after two decades in power, has died at the age of 84, according to state television announced on Friday.

The ENTV report, citing a statement from the office of current President Abdelmadjid Tebboune, provided neither the cause of death nor any information on funeral arrangements.

Bouteflika had suffered a stroke in 2013 which severely weakened him. Concerns about his state of health, kept secret from the Algerian public, have helped fuel public frustration with his 20-year reign marred by corruption. Mass public protests by the Hirak movement led to his departure.

A shrewd political chameleon, Bouteflika was known as a cunning survivor since he fought for independence from colonial France in the 1950s and 1960s.

He stood up to Henry Kissinger as Algeria’s longtime foreign minister, successfully negotiated with the terrorist known as Carlos the Jackal to release the oil ministers held hostage in an attack on the OPEC headquarters in 1975, and helped reconcile Algerian citizens with one another after a decade of civil war between radical Muslim militants and Algerian security forces.

“I am a maverick politician. I am a revolutionary, ”Bouteflika told The Associated Press on the eve of his first presidential victory in 1999, after a campaign marred by accusations of fraud that prompted his six rivals to withdraw from the poll.

By taking office, Bouteflika promised “to turn definitively the dark pages of our history to work for a new era”.

Born on March 2, 1937 to Algerian parents in the border town of Oujda, Morocco, Bouteflika was one of Algeria’s most enduring politicians.

In 1956, Bouteflika joined the National Liberation Army, formed to fight Algeria’s bloody war of independence. He commands the southern front of Mali and slips clandestinely into France.

After the end of the war, Bouteflika became Minister of Foreign Affairs at just 25 years old, at a time when Algeria was a model of doctrinaire socialism attached to the Soviet Union. Its capital, Algiers, was nicknamed “Moscow on the Mediterranean”.

He held this post for 16 years, helping to increase Algeria’s influence and define the country as a leader of the third world and non-aligned movements. He was active in the United Nations and chaired the United Nations General Assembly in 1974.

In 1978, disappeared from view for nearly two decades, spending more than six years in exile to evade corruption charges which were later dropped.

The Algerian army held the reins of power throughout this period. The National Liberation Army had evolved into a single party which ruled until 1989, when a multi-party system was introduced.

But as the Islamic Salvation Front, or FIS, quickly gained support, the military canceled Algeria’s first multiparty legislative elections in 1992 to thwart a likely victory for Muslim fundamentalists. An insurgency erupted that left around 200,000 people dead in the years that followed.

Bouteflika took office in 1999, Algeria’s first civilian leader for more than three decades. He succeeded in bringing stability to a country almost brought to its knees by violence, unveiling a daring program in 2005 to reconcile the fractured nation by persuading radical Muslims to lay down their arms.

Bouteflika and the armed forces neutralized the Algerian insurgency, but then saw it metastasize into a Saharan-wide movement linked to smuggling and kidnappings – and al-Qaida.

Bouteflika was alongside the United States in the fight against terrorism after the attacks of September 11, 2001, in particular on intelligence sharing and military cooperation. It marked a turning point from the militant anti-America and Soviet army of yesteryear, when figures like Black Panthers leader Eldridge Cleaver took refuge there.

Bouteflika’s powerful political machine had the constitution amended to overturn the presidency’s two-term limit. He was then re-elected in 2009 and 2013, amid accusations of fraud and a lack of powerful challengers.

Her burning past was dissolved as age and disease took their toll on the once charismatic figure. Corruption scandals over infrastructure and hydrocarbon projects haunted him for years and tarnished many of his closest associates. His brother, two former prime ministers and other senior officials are now in prison for corruption.

Bouteflika balked at the region-wide calls for change embodied in the 2011 Arab Spring revolutions that toppled three dictators in the east. Bouteflika mitigated the unrest through wage increases and subsidies, a vigilant security force and a lack of unity in the country’s opposition. It has also failed to restore civic trust or create an economy that could provide the jobs needed for Algeria’s growing youth population despite the country’s vast oil and gas wealth.

Bouteflika was increasingly out of sight during his third and fourth presidential terms after suffering a stroke. The extent to which Bouteflika was controlled by the military remained uncertain. He once told the PA that he turned down the post of president in 1994 because he was unable to accept conditions imposed by the military.

The Hirak protests in Algeria erupted after he announced his intention to run for a fifth term in 2019, and it was the then army chief who sealed Bouteflika’s fate by siding with him. Some protestors. Bouteflika had no choice but to withdraw.

Despite new elections and some gestures towards the demonstrators, the Algerian leadership remains opaque and has recently cracked down on dissent, especially among the Berber populations.

The secrecy surrounding the Algerian leadership is such that it is not clear whether Bouteflika ever married or had any survivors.

___

Elaine Ganley in Paris contributed to this report.


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Movie Reviews: ‘Cry Macho’ Feels Unambitious, Lacks Drama https://i-racconti.com/movie-reviews-cry-macho-feels-unambitious-lacks-drama/ https://i-racconti.com/movie-reviews-cry-macho-feels-unambitious-lacks-drama/#respond Fri, 17 Sep 2021 11:00:00 +0000 https://i-racconti.com/movie-reviews-cry-macho-feels-unambitious-lacks-drama/ CRY MACHO: 2 ½ STARS Clint Eastwood is legendary in Hollywood for his pragmatic approach to cinema. It’s not Stanley Kubrick who would do 200 takes in one head, or Christopher Nolan whose camera technique is sharp. His straightforward approach to storytelling often gives his films a unique energy, a style born out of confidence […]]]>

CRY MACHO: 2 ½ STARS

Clint Eastwood is legendary in Hollywood for his pragmatic approach to cinema. It’s not Stanley Kubrick who would do 200 takes in one head, or Christopher Nolan whose camera technique is sharp. His straightforward approach to storytelling often gives his films a unique energy, a style born out of confidence and nearly 70 years spent in front of or behind a camera.

Depending on your level of cynicism, “Cry Macho”, his new road trip film now hitting theaters, is either the work of a filmmaker so confident in his craft that he is confident audiences will follow him. wherever it goes, no matter how winding it up, or a thin, sloppy exercise in myth-building.

Set in 1979, the story begins when the wealthy boss of a Texas ranch (Dwight Yoakam) asks former employee Mike Milo (Eastwood) for a favor. He wants the former rodeo star and ranchman to travel to Mexico, find his thirteen-year-old son Rafo (Eduardo Minett) and bring him back to the United States. The boy’s mother (Fernanda Urrejola) is an aristocratic woman with an angry temper who seems to mock her son.

“Take him if you can find him,” she hisses. “It’s a monster.”

Mike stalks Rafo in a cockfight, where he’s about to put Macho, his award-winning cock, in the ring.

“He’s not a chicken,” Rafo says, “he’s a macho.”

The boy agrees to travel to the United States with Mike, excited to become a real cowboy on his father’s ranch.

Along the way, the father-and-surrogate duo hide from the Federales, meet a caring-hearted canteen owner (Natalia Traven), and learn the true meaning of what it means to be macho.

Based on a neo-western book by N. Richard Nash that Eastwood has been revolving around for decades, “Cry Macho” isn’t so much story-driven as it clings to the road trip genre framework for momentum. . It’s a low-energy film that’s more of a character study of a man forced to re-evaluate the way he lived his life.

“This macho thing is overrated,” he says.

The meta aspect of the film is its strongest feature. Eastwood has spent his career as the personification of machismo, and now, at age 91, he’s commenting not only on his character Mike, but every character he’s played before.

It’s hard to watch “Cry Macho” without imagining “The Outlaw Josey Wales” or “The Unforgiven,” and these memories color every frame of the new film.

Unfortunately, these callbacks can also make you nostalgic for the days of “The Outlaw Josey Wales” and “The Unforgiven”. “Cry Macho” has compelling ideas at its core, but is marred by the emotional performance of Minett, a management that seems directionless and the most ridiculously inept henchman in movie history. Eastwood is majestic, a lion in winter, but the film seems unambitious, lacking the drama that would have made its messages about masculinity more powerful.

COPSHOP: 3 ½ STARS

Director Joe Carnahan’s films are generally high octane ultraviolet affairs that don’t spare blood or bullets. His latest, “Copshop”, now playing in theaters, follows a similar path but does not forget to bring the pleasure of travel.

Located in Nevada, much of the action takes place in the sleepy Gun Creek Police Department. Earlier in the evening, con artist Teddy Murretto (Frank Grillo) was arrested after punching Valerie Young (Alexis Louder) outside a casino. He’s a villain who should avoid the police, but circumstances forced his hand because an even worse guy, hitman Bob Viddick (Gerard Butler), had tracked him down.

The quick-thinking con artist believes Viddick won’t come near him if he’s in jail.

He was wrong.

Reversing the situation on Murretto, Viddick manages to get himself charged with a false drunk driving charge. The hunted and the hunter are only one cell apart. Young knows something wrong is going on and is determined to get to the bottom of it, even though Murretto warns him to keep his nose on his stuff.

“It’s way beyond anything you want to get involved with at lady,” he said. “You do not understand.”

“No,” she replies, “you don’t understand how bored I am.”

“Copshop” has echoes of “Assault on Precinct 13”. Like the 1976 drama, most of the action takes place inside the station and the cops and bad guys have to work together to find safety. The rudimentary storytelling creates a silent tension before Toby Huss introduces himself as the sadistic killer Anthony Lamb. He’s quick with a ball and a one-liner. Looking at Teddy’s tight bun, he jokes, “You look like Tom Cruise in that samurai movie that no one has watched.”

Huss chews the landscape, breathing life into a man who brings death. He’s a joke, both threatening and a little ridiculous.

Grillo and Butler are perfectly suited opponents. They are at the origin of the plot of the cat and the mouse; character actors laying the foundations for the events that drive the film. Louder is just as impressive as the nonsense Young. She’s at the center of the film, the one character everyone will root for.

“Copshop” is a simple b action movie that feels like a holdover from the 1970s. There are generic elements, like supporting characters that seem like they came straight out of Central Casting, but Carnahan makes up for that with energy, suspense and a dark sense of humor.

BAYOU BLUE: 3 STARS

Bayou blue

“Blue Bayou,” a new immigration drama starring Justin Chon and Alicia Vikander, tells a fictional, but all too true, story that is heartfelt yet brutal.

Written, directed and performed by Chon, the story takes place in the bayou of Louisiana. Chon plays Antonio LeBlanc, of Korean descent, adopted by an American family at the age of three. Now married to Kathy (Vikander), he is raising his stepdaughter Jessie (Sydney Kowalske) with another child on the way.

A heartbreaking Cajun twang disguises the anxiety he feels over the arrival of a new baby, but not enough money. His two crimes make it difficult to find additional work, and his tattoo work does not cover the bills. Still, the family is happy, even though Jessie worries that Antonio, the self-proclaimed “fun” parent, won’t be spending time with her when the new baby arrives.

A small argument between Kathy and Antonio in a grocery store escalates when Ace, a cop and her ex-husband, and his abusive partner (Emory Cohen) get involved. Antoine is arrested. When Kathy tries to pay her bond, she is told, in a neutral tone, “He’s not here anymore.” ICE took him.

It seems his adoptive parents didn’t go through the proper procedures to make him a citizen, and now, after thirty years in America, he may have to return to a country he doesn’t remember.

“I understand your frustration,” says the lawyer (Vondie Curtis-Hall) the couple hire, but can’t afford.

“Go voluntarily,” he continues, “and have a chance to come back. You can fight, but if you lose you can never come back. “

“I’m not leaving my family,” Antonio replies.

“Blue Bayou” has a lot to offer. Chon has a poetic eye for visuals and frames the searing story well. There are enough details about the family for us to care about and Antonio’s story adds a bit of mystery to the proceedings. The chemistry between the core group – Antonio, Kathy and Jessie – seems genuine – Kowalske is a real find – and, as the immigration situation gets out of hand, we’re in. But as the story gets heavier, so does the storytelling. Like lead.

The characters in Chon are so compelling, and much of the story is so heartfelt, it’s a bummer when the movie turns into melodrama in its final third. Nuance comes out the window and the quiet naturalism of the first half disappears. Add to that a villain in the form of Cohen’s bad cop character who appears to have come out of a British pantomime and you end up with a case of disappointment.

“Blue Bayou” details a very important story, and for many people, very personal, but falls victim to awkward storytelling.

LE BAL DES FEMMES FOLLES: 3 STARS

Crazy women ball

“Le bal de la femme folle”, a new gothic thriller in French currently airing on Amazon Prime, is a human look at the dehumanizing oppression imposed on the patients of the infamous Pitié-Salpêtrière psychiatric hospital in Paris in the 19th century.

The father of the young socialite Eugénie Cléry (Lou de Laage) is not happy. His rebellious behavior, like sneaking around to read poetry and smoke in cafes, offends his deeply conformist worldview. Worse still is his new belief in spiritualism. Eugenie believes she can communicate with the dead. These encounters left her in a state of anguish and dear old papa Cléry did not suffer from it. Embarrassed, he hired her by force at Pitié-Salpêtrière, a hospital for women specializing in experimental treatments devised by Professor Jean-Martin Charcot (Grégoire Bonnet).

Diagnosed as “hysterical”, she finds comfort in the company of Geneviève (Laurent), a sympathetic nurse who believes that Eugenie has no place in the establishment. Together, they plan the escape of the young woman the night of the degrading “Bal des Folles” of the hospital where the Parisian elite rub shoulders with the patients of the clinic.

Adapted from Victoria Mas’ 2019 book, “The Mad Woman’s Ball” is a melodramatic survival story set against the backdrop of the barbaric beginnings of psychiatric medicine.

Director Laurent paints an evocative picture of life inside the 19th century hospital. Laughs and screams fill the air as Laurent’s camera details the gothic details of the installation. Inside, bullying and oppression looms large, but the storytelling is compassionate. Eugenie and Geneviève are soldiers in the fight against the fight against misogyny, personified by men like the arrogant professor Charcot and the father of Eugenie, who oppress them and finally, ignore them.

It’s a powerful storytelling, backed up by wonderful performances, marred only by the sometimes overworked artifice.

“Le Bal de la Folle” is best in its quiet moments between Eugenie and Geneviève where the power of their solidarity is heightened.


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