Explanation of the end of dreams in the house of witches

Warning! SPOILERS for Guillermo del Toro’s Cabinet of Curiosities season 1, episode 6, “Dreams in the Witch House”.The final act of “Dreams in the Witch House”, season 1, episode 6 of Cabinet of curiosities by Guillermo del Toro moves fast – here’s a full explanation of the ending. The episode adapts the 1932 short story of the same name by H. P. Lovecraft, focusing on Walter Gilman’s encounters with sinister beings beyond the human realm. In the episode, Walter is obsessed with searching for the spirit of his twin sister Epperley, whose ghost he saw dragged to the otherworld of the Forest of Lost Souls after her death in infancy.

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Walter devoted his life to finding Epperley, giving up a career as a pianist to work with the Spiritualist Society. He eventually reaches Epperley through a bit of Native American magic, but each dose of the “Liquid Gold” potion only allows him to stay in the forest briefly. To save her, he rents a room that had belonged to the witch from the Netflix show, Keziah Mason.

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What happens in Cabinet of Curiosities: Dreams in the End of the Witch House?

The witch Keziah Mason recognizes Walter Gilman from a prophecy that foretells his release from the Forest of Lost Souls. She shows Gilmer that as Epperly’s twin, he is the key to bringing matter back to this world from the forest. When Walter takes Epperley back to the world of the living, Keziah Mason and her familiar Jenkins Brown also make the trip. Mariana, the painter, then reveals that Walter must die at dawn for Epperley, the witch, or her familiar to live. Epperley kills the witch and she dies peacefully, as she is no longer afraid to die. Jenkins Brown, however, is confirmed as the top villain, as he burrows into Walter’s collapsed body, bursts from his chest, and takes possession of Walter’s corpse to revive him. The closing shot shows the triumphant Jenkins Brown happily embarking on a new life in Walter’s body.

Why does Jenkins Brown do what he does?Jenkins Brown in Cabinet of Curiosities season 1, episode 6 Dreams in the Witch House

Neither Keziah Mason nor Epperley return to the living, but Jenkins Brown knows he can still enjoy the prophecy and regain life. He manages to kill Walter just before dawn and his bodily remains in the attic disappear at the time of Walter’s death. By sacrificing Walter according to the prophecy, Jenkins Brown succeeds in exchanging Walter’s life for his own resurrection. However Cabinet of Curiosities’ The story never explains how Jenkins manages to possess and animate Walter’s seemingly ruined body, it’s fair to infer that Jenkins uses magic he learned as the witch’s familiar.

Why does Mariana say “She won” at sunrise?She Won Sunrise in Cabinet of Curiosities Season 1 Episode 6 Dreams in the Witch House

It’s curious that Mariana says: “She won,clearly referring to Keziah Mason after Epperley has already killed the witch. The most direct interpretation is that Mariana is here referring to Keziah’s plan, which Jenkins Brown completes. This could be interpreted to mean that Keziah still survives sometime share in the spirit realm, but nothing else in the show supports such an inference.

How did Frank and Sister Lucrezia overcome the racism of the time?Sister-Lucrece-in-the-Cabinet-of-Curiosity-season-1-episode-6-Dreams-in-the-witch-house-1

HP Lovecraft was notoriously racist. In light of this fact, the showrunners’ decision to cast people of color in multiple roles is worth considering. A colored actor plays Walter’s colleague, Frank Elwood. Frank leaves the Spiritualist Society to take up an office job at Time magazine. The story is set in 1933, when America was heavily segregated, and very few people of color held office positions in white-owned businesses at that time. The character is barely mentioned in Lovecraft’s story, and his race is not mentioned. This makes the Netflix version of Frank an anachronism.

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Sister Lucretius, a newly created character for the series, is also played by an actor of color, but the Catholic orders at the time were widely separated. Neither Frank’s nor Lucretia’s race is ever addressed in the narrative. This casting may be the creative team’s way of dealing with Lovecraft’s racism. Placing black actors in roles that Lovecraft would never have written for them is perhaps the filmmakers’ way of steering the adaptation away from Lovecraft’s racist legacy.

How does it all fit together?Epperley Ascends in Cabinet of Curiosities season 1, episode 6 Dreams in the Witch House

However Cabinet of curiosities by Guillermo del Toro changes the original story significantly, many of HP Lovecraft’s themes survive intact. Lovecraft’s main theme in his stories is that the cosmos is indifferent to mankind and is populated by hostile, powerful, and gleefully evil beings. Jenkins Brown is sadistic with his taunts and seems to enjoy stoking the fears of his human victims. Another common Lovecraft theme is that humanity can’t even comprehend the cosmic horror of Keziah Mason, Cthulhu, or other monsters. The mere glimpse of the greater universe is likely to drive the human mind mad. Seeing Epperley become a ghost and be dragged into the Forest of Lost Souls is enough to transform Walter from an ordinary little boy into a determined fanatic for the rest of his life. Human religion generally offers little refuge for Lovecraft’s characters. In the show’s adaptation, Keziah Mason shows no hesitation as she pursues Walter onto the hallowed ground of the church.

The televised “Dreams in the Witch’s House” also departs from some Lovecraft themes. His stories tend to emphasize that the cosmos is not governed by any moral code of good and evil that humans can recognize, but rather operates on its own inscrutable terms. In the Cabinet of Curiosities production, however, Epperley tells Walter that she only went to the Forest of Lost Souls because she was so afraid of dying, implying that her lack of faith made her unworthy and that the realms beyond of ours operate according to a moral code. Her ascension scene drives home the point, bathing her in celestial light and happily carrying her away once she says she’s no longer afraid.

The True Meaning of the Cabinet of Curiosities: Dreams in the End of the Witch HouseWalter Gilman in Cabinet of Curiosities season 1, episode 6 Dreams in the Witch House

The show’s last line comes from Jenkins Brown, who gloatingly boasts, “I will ride this body as long as it lasts. After all, he didn’t care, did he?” The dig refers to the late Walter Gilman, but it also applies more broadly to how Walter, the main character in “Dreams in the Witch House,” led his life. He gave up his dream of joining the Boston Symphony Orchestra, along with any sort of normal life, to follow his obsession with Epperley. Frank urges him to take a job alongside him at the magazine, and berates him for his attention”more about [his] dead sister than the living ones. » Epperley herself is visibly disappointed to learn that Walter has given up on his music. Because Walter Gilman did nothing else with his life in Cabinet of curiosities by Guillermo del Toro, Jenkins Brown’s last line is figuratively true – as well as in the dark literal meaning.

Guillermo del Toro’s Cabinet of Curiosities: Dreams in the Witch House is streaming on Netflix.

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